Tag Archives: Peter Thorne

Announcing the Piano Project 2018 shortlisted works

We can now announce the shortlist of pieces for CNM’s Piano Project 2018, presented in collaboration with EPTA. These pieces, written by contemporary composers for learner pianists of ABRSM grade 1-5 standard, form the list from which students and teachers will select works for the final concert in Chelmsford in summer 2018. The shortlisted works are:

SleepwalkingAnna Appleby

RobotAran Browning

Five Pulse PiecesPaul Burnell
Just Before DawnPaul Burnell
Trying to RememberPaul Burnell
Soften Swords Paul Burnell

Rabbits Teresa Chapman
New BootsTeresa Chapman
The Lonely ChickenTeresa Chapman
Can my Heart Escape this Sadness?Teresa Chapman

For EllieDylan Christopher
SimplicityDylan Christopher
ElegyDylan Christopher
WaltzDylan Christopher

Minor sadnessMartin Devek

Prelude in C MinorLaurence Glazier

In AutumnMelanie Green
MusingsMelanie Green

SeeSaw 45Mel McIntyre
Taking TurnsMel McIntyre
The Jolly SailorMel McIntyre
LargoMel McIntyre

Reminisce Jenni Pinnock
AllegrettoJenni Pinnock

RodeoRoger Sciachettano

Little BoatPeter Thorne

Tonal tunes and modal melodies 2: Variations on a wistful tuneTim Torry
Tonal tunes and modal melodies 5: A Scots SaddhuTim Torry
Tonal tunes and modal melodies 6: Variations on a Sea Song, The Drunken SailorTim Torry

Ancestors’ FootstepsIan Wilson
 

Composer biographies

Anna Appleby is an award-winning, Manchester-based composer and the 2016/17 Rambert Music Fellow. She has written for artists including the Royal Northern Sinfonia, the Cavaleri Quartet, the Hermes Experiment, the BBC Singers, Manchester Camerata, Jonathan Powell, Het Balletorkest and A4 Brass. Collaboration is at the heart of her creative practice.

A composer from the Lake District, Aran Browning (b. 1994) recently graduated with First Class Honours from the Royal Conservatoire of Scotland under Rory Boyle and Gordon McPherson. Since coming to Glasgow his collaborators have included Live Music Now, Red Note Ensemble, Inclusive Creativity, BBC SSO, Drake Music Scotland, Ensemble Modern, Leeds Lieder and Strathendrick Singers through Adopt a Composer.

Paul Burnell (b. 1960) is a composer and musician based in London. His compositions can be heard on his albums, including ‘Leaving the Party on Pluto’, ‘Cabbage Heads’, and ‘Acute Suites’. An album with pianist James Bacon was released in 2016 and ‘Accompanied Readings Vol.2’ is due for release in 2018.

Theresa Chapman is a Colchester-based Piano Teacher, and also works as a Music Tutor for Essex Music Services. She holds both a B.Mus degree from the University of Cape Town and an Honours degree in Music from Stellenbosch University.

Dylan Christopher (b. 1987) completed his music studies with honours at Colchester Institute, where he studied piano with Australian pianist Lesley Young, and composition with Dr Mark Bellis. A promoter and advocate of contemporary classical music, Dylan joined the membership of Colchester New Music in 2014.

Martin Devek (b. 1979) is a multidisciplinary artist, creator of original music, film and fine arts. Born in Buenos Aires (Argentina), he is currently working in Northern Ireland and England. His compositions for dance & theatre pieces include ‘Knowing the dance’ performed at Brian Friel Theatre (Belfast), Dance Ireland (Dublin) and Down Arts Centre (Downpatrick); ‘IReflexes’ performed at R-Space Gallery, (Lisburn), The International Meta-Body Symposium (Brunel University, London) and Black Box (Belfast); ‘A Spoonful of Jelly’, performed at the Belfast children Festival 2014, the Banbridge Box and the Down Arts Centre; ‘Bubbleloon’, performed at the Belfast Children Festival (2013) and the Crescent Arts Centre (Belfast). Martin holds a BA in Music, from CONSUDEC (Argentina), a Masters Certificate in Composing music for Film and TV from Berklee College of Music (USA), and an MA in Computer Music from Maynooth University (Ireland).

Laurence Glazier studied mathematics at Fitzwilliam College, Cambridge. After lessons in composition from Chris Sansom, he studied Harmony and Counterpoint at the City Lit in London, where one lecturer was Colchester composer Alan Parsons with whom he later undertook many years of study.

Melanie Green (b. 1977) works as both a music tutor and a maths tutor in Cambridgeshire. She studied in London: Music at Royal Holloway; Ethnomusicology at the School of Oriental and African Studies; and Community Music at Goldsmiths College. She plays cello and Balinese gamelan.

Mel McIntyre (b. 1957) is a writer, musician and composer living near Huddersfield, West Yorkshire. Originally from Canada, Mel has been living in the UK since 1983. He began his career as a music teacher and has written lots of music aimed at helping people learn to play.

Jenni Pinnock is a composer, teacher and arranger based in Cambridgeshire, UK. She studied at Kingston University (BMus) and Trinity Laban Conservatoire of Music and Dance (MMus), and has had her music performed by a variety of ensembles across the UK and worldwide. For more information about Jenni and her music, please see her website jennipinnock.com.

Roger Sciachettano (b. 1947, Heliopolis, Cairo, Egypt) is a retired primary teacher and an amateur composer who started taking lessons with Peter Thorne in January 2016. He very much enjoys composing and arranging.

Peter Thorne (b. 1955) has been composing music since the age of about 12. He read music at Oxford and the UEA, where he took a master’s degree. Over the years he has written in many different styles and genres but most recently he has been writing for wind instruments and piano. Peter’s music often features influences from various kinds of jazz and pop and is often colourful and rhythmic. He has written two piano sonatas and other pieces for the concert pianist Peter Seivewright who is in the process of recording them for a CD. Peter’s music for wind ensemble is published by http://www.soundthetrumpets.com and music for wind and piano by http://www.warwickmusic.com.

Born near Chelmsford, Tim Torry was educated at Colchester Royal Grammar School (where he later became Head of Music), York University and the RAM. During the 1970 and 80s he was well-known locally as a baritone/bass soloist, and also as a composer-member of CNM. Severe ME symptoms cut short his career in 1992, but treatment for mercury amalgam poisoning led to his full recovery and, eventually, a return to solo singing in 2007. Encouragingly, a work of his was accepted onto the SPNM Shortlist in 2003 and his song cycle The Face of Grief received four festival performances in July 2015 from Roderick Williams (baritone) and Susie Allan (piano); the ‘Three Choirs’ one was broadcast on Radio 3, a broadcast that was repeated in 2016.

Ian B. Wilson (b. 1967) is a music graduate of Durham University, where he received composition lessons from Robert Casken. ‘Come and Rejoice in Jesus’, an album containing songs written for his church, is available online. The Dunblane Chamber Orchestra performed his ‘Three Songs from A Shropshire Lad’ in May 2012 and his compositions have been performed by, among others, the St. Bonaventure’s School Choir and the Colchester New Music Group. Ian is a secondary headteacher in London.

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Results announced for CNM two harpsichords call

CNM 2-Hps poster 280418We are delighted to announce the results of CNM’s call for scores for two harpsichords, which attracted 27 entries in a fabulous range of styles from composers around the world. Having worked through all of these, Francis Knights and Dan Tidhar have chosen to perform the works listed below at an April afternoon concert in the beautiful setting of the Pimlott Foundation‘s Old Barn in Great Horkesley.

These pieces have been selected as they are well-suited to the specific sound and playing technique of the harpsichord (rather than the modern piano), are technically feasible on the available instruments, and are of suitable duration and level of complexity to be well realisable within the available rehearsal time:

A prelude and two fugues – Mark Bellis

A thousand pines, one moon (movement 1) – Ivan Božicevic

Conversations – Theresa Chapman

daybook – D. Edward Davis

Elements – Janet Oates

Spring Rounds: Agon – Randall Snyder

Looking back – José Jesus de Azevedo Souza

Dap dap da da dap – Peter Thorne

Passacaglia – Low water – Stephen Watkins

Tarantella – Ian Wilson

Counterfeit – Rasmus Zwicki

CONCERT DETAILS

3pm, Saturday 28 April 2018 at the Old House Barn, Old House Road, Great Horkesley, Colchester CO6 4EQ, UK; tickets £8/£6 concessions, available from Eventbrite.

COMPOSER BIOGRAPHIES

Mark Bellis studied at Cardiff, Durham and Cambridge Universities with Dr David Wynne, David Lumsdaine & John Casken. In 1985 he was awarded a PhD in Composition from Durham University. He has had performances at the Purcell Room, London, and on Radio 3. He composed a large-scale orchestral work for the BBC National Orchestra of Wales, and more recently, much choral music. Since 2005, Mark has been Course Leader for the BA Music programme at Colchester Institute, Essex.

Ivan Božicevic (* 1961) is a composer, organist, pianist, arranger and jazz musician in Split, Croatia. His output encompasses orchestral, chamber, choral and soloistic works, as well as electronic compositions. He is interested in a variety of genres (early and baroque, electronic, jazz, world music) and the possibility of “cross-fertilizations“ between those genres, always aiming for the stylistic amalgamation on a deeper level. http://www.ivanbozicevic.com

Theresa Chapman is a Colchester-based Piano Teacher, and also works as a Music Tutor for Essex Music Services. She holds both a B.Mus degree from the University of Cape Town and an Honours degree in Music from Stellenbosch University.

D. Edward Davis writes music that engages with the sounds of the environment, exploring processes, patterns, and systems inspired by nature. He is currently based in Connecticut, USA, where he is a Practitioner-in-Residence at the University of New Haven. sound.warmsilence.org

Janet Oates has a PhD in composition from Royal Holloway, University of London, and is active in various composers’ and contemporary music groups around London. She also sings (early and contemporary music), teaches and conducts.

Randall Snyder was born in Chicago in 1944 and attended University of Wisconsin earning a DMA degree in 1973. He has taught at colleges in Illinois, Wisconsin and for several years at the University of Nebraska. He currently is a free lance musician living in Lincoln, NE. and adjunct professor at Peru State College.

José Jesus de Azevedo Souza studied in England at the Purcell School with a scholarship from the Calouste Gulbenkian Foundation. He then studied at the Trinity College of Music and the University of Sheffield. His music has since been extensively performed in Europe, Asia and the United States as well as recorded on Sarton Records and Dux.

Peter Thorne has been composing music since the age of about 12. He read music at Oxford and the UEA, where he took a master’s degree. Over the years he has written in many different styles and genres but most recently he has been writing for wind instruments and piano. Peter’s music often features influences from various kinds of jazz and pop and is often colourful and rhythmic.
http://www.peterthornemusic.co.uk/composing

Stephen Watkins studied trombone, piano and recorder as well as composing at the Guildhall School of Music. Currently he is involved in writing large scale pieces for recorder orchestra. His own composition style very much reflects the wide range of music styles. He is published by houses in Germany, Austria, The Netherlands, USA and at last UK!

Ian Wilson is a music graduate of Durham University, where he received composition lessons from Robert Casken, and is currently a secondary head teacher. An album, called ‘Come and Rejoice in Jesus’, containing songs written for his church, is available on iTunes. The Dunblane Chamber Orchestra performed his ‘Three Songs from A Shropshire Lad’ in May 2012. ‘The Sleep’, a setting of an Elizabeth Barrett-Browning poem, was performed by members of CNM in June.

Rasmus Zwicki is Danish born composer currently residing in London, where he studies with Laurence Crane at the Guildhall School of Music and Drama. His music is stylistically multilingual, often mixing the specific elements of various musical genres and traditions that best communicate the core ideas of a particular work. http://rasmuszwicki.com

New Structures in Composition 16/09/17: photos and programme

Thanks to everyone who made our recent New Structures in Composition concert such a success; composers, performers and not least the audience of 60 who were crammed into Fitzwilliam College Chapel on a very wet Saturday in September. Some photos from the event are below, and a pdf of the programme can be downloaded here.

In rehearsal… the composers arrive…

The concert… we spy a Vulcan!

New Structures in Composition concert, 16 Sept 2017

New Structures 160917 posterWe can now announce details of our next concert: New Structures in Composition, 5pm Saturday 16 September 2017 at Fitzwilliam College Chapel, Fitzwilliam College, Storeys Way, Cambridge CB3 0DG. Admission free.

With the decline in popularity of traditional compositional structures such as sonata form, it is interesting to explore fields beyond music for new structural paradigms. This academic year, CNM member Francis Knights has a visiting mathematician, Pablo Padilla (UNAM, Mexico), working on a joint project applying mathematical tools to musicological problems (http://formal-methods-in-musicology.webnode.com/). This has inspired a number of ideas for how various algorithms and numerical patterns taken from the natural world could be used in composition.

Performers include Francis Knights, Dan Tidhar (harpsichord, organ), Sarah Cattley, Pablo Padilla, Janet Wheeler (piano), Paula Muldoon (viola), Johanna Finnemann  (viola da gamba), Ellen Jameson (recorder) and Stephen Watkins (recorder and piano). The programme comprises works based upon the following algorithms and concepts:

Geometric methods: three dimensional music

Mark Bellis: Vulcan Chess; piano, harpsichord, organ, recorder, viola

Geometric methods: graphical scores

Colin Blundell: un aleatorio estudiado; harpsichord, viola, recorder

Combinatorial algorithms

Sarah Cattley: A Transformation of Littles; piano duet

Probabilistic ideas: Dice games

Dave Collins: Triple Roll; two keyboards

Iterated maps: self-similarity and fractals

Laurence Glazier: Prelude in C minor and Birthday Barcarolle; solo piano

Arithmetic procedures: Least common multiple and canonical forms

Ivan Moody: Passacaglia; solo harpsichord

The Syracuse conjecture

David and Pablo Padilla: Rondo 3n+1; traverse flute, viola da gamba, harpsichord

Recursivity

Peter Thorne: Whimsical Waltz; solo piano

Music and image

Julia Usher: Calculating differences: transformations at the edge: segmenting a leaf; viola, recorders

Symbols and codes

Ian Wilson: Be fruitful and multiply; piano, harpsichord, organ, recorder, viola, bongos

The Pale Enchanted Gold, 17 June 2017: recital programme announced

CNM_recital_poster_CM_170617-webThis June’s CNM summer afternoon recital by Tim Torry (baritone), Charles Hine (clarinet) and Alan Bullard (piano) will take place at 3pm on 17 June at Castle Methodist Church, Maidenburgh St, Colchester CO1 1TT; entry free, retiring collection.

The programme is based around three key works: Tim Torry’s setting of JRR Tolkein’s ‘The Pale Enchanted Gold’ poem from The Hobbit, Alan Bullard’s setting of Edward Blunden’s ‘A Swan, a Man’, and also Alan’s ‘Three Blues’ for clarinet and piano.

Alongside these, CNM members have contributed new pieces for clarinet and piano, plus song settings of poetry with all kinds of interesting connections to the pieces above. The full lists of members’ works in each category are as follows:

Song settings

A Swan, A Man –  Alan Bullard/Edmund Blunden
The star –  Dylan Christopher/Jane & Ann Taylor
The sun goes down –  Francis Knights/AJ Blustin
The Genealogy of Christ –  Mark Bellis/Gospel of Luke
Oft when warring –  Stephen Watkins/Thomas Hardy
The Pale Enchanted Gold –  Tim Torry/JRR Tolkien
The sleep –  Ian Wilson/E B Browning

Clarinet/bass clarinet and piano

The Bold Princess Royal  – Colin Blundell
Three Blues – Alan Bullard
Whither Now? –  Laurence Glazier
Seeking stillness for solo bass clarinet – Philip Joy
A movement from the Scenes from a train suite – Jenni Pinnock
Dance –  Peter Thorne
Subsequent Darkness –  Julia Usher

The programme also includes three works from the 20th Century English Song repertoire:

It was a lover and his lass – Gerald Finzi
Silver – Armstrong Gibbs
A Sergeant’s Song – Gustav Holst