Tag Archives: Peter Thorne

New Structures in Composition 16/09/17: photos and programme

Thanks to everyone who made our recent New Structures in Composition concert such a success; composers, performers and not least the audience of 60 who were crammed into Fitzwilliam College Chapel on a very wet Saturday in September. Some photos from the event are below, and a pdf of the programme can be downloaded here.

In rehearsal… the composers arrive…

The concert… we spy a Vulcan!

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New Structures in Composition concert, 16 Sept 2017

New Structures 160917 posterWe can now announce details of our next concert: New Structures in Composition, 5pm Saturday 16 September 2017 at Fitzwilliam College Chapel, Fitzwilliam College, Storeys Way, Cambridge CB3 0DG. Admission free.

With the decline in popularity of traditional compositional structures such as sonata form, it is interesting to explore fields beyond music for new structural paradigms. This academic year, CNM member Francis Knights has a visiting mathematician, Pablo Padilla (UNAM, Mexico), working on a joint project applying mathematical tools to musicological problems (http://formal-methods-in-musicology.webnode.com/). This has inspired a number of ideas for how various algorithms and numerical patterns taken from the natural world could be used in composition.

Performers include Francis Knights, Dan Tidhar (harpsichord, organ), Sarah Cattley, Pablo Padilla, Janet Wheeler (piano), Paula Muldoon (viola), Johanna Finnemann  (viola da gamba), Ellen Jameson (recorder) and Stephen Watkins (recorder and piano). The programme comprises works based upon the following algorithms and concepts:

Geometric methods: three dimensional music

Mark Bellis: Vulcan Chess; piano, harpsichord, organ, recorder, viola

Geometric methods: graphical scores

Colin Blundell: un aleatorio estudiado; harpsichord, viola, recorder

Combinatorial algorithms

Sarah Cattley: A Transformation of Littles; piano duet

Probabilistic ideas: Dice games

Dave Collins: Triple Roll; two keyboards

Iterated maps: self-similarity and fractals

Laurence Glazier: Prelude in C minor and Birthday Barcarolle; solo piano

Arithmetic procedures: Least common multiple and canonical forms

Ivan Moody: Passacaglia; solo harpsichord

The Syracuse conjecture

David and Pablo Padilla: Rondo 3n+1; traverse flute, viola da gamba, harpsichord

Recursivity

Peter Thorne: Whimsical Waltz; solo piano

Music and image

Julia Usher: Calculating differences: transformations at the edge: segmenting a leaf; viola, recorders

Symbols and codes

Ian Wilson: Be fruitful and multiply; piano, harpsichord, organ, recorder, viola, bongos

The Pale Enchanted Gold, 17 June 2017: recital programme announced

CNM_recital_poster_CM_170617-webThis June’s CNM summer afternoon recital by Tim Torry (baritone), Charles Hine (clarinet) and Alan Bullard (piano) will take place at 3pm on 17 June at Castle Methodist Church, Maidenburgh St, Colchester CO1 1TT; entry free, retiring collection.

The programme is based around three key works: Tim Torry’s setting of JRR Tolkein’s ‘The Pale Enchanted Gold’ poem from The Hobbit, Alan Bullard’s setting of Edward Blunden’s ‘A Swan, a Man’, and also Alan’s ‘Three Blues’ for clarinet and piano.

Alongside these, CNM members have contributed new pieces for clarinet and piano, plus song settings of poetry with all kinds of interesting connections to the pieces above. The full lists of members’ works in each category are as follows:

Song settings

A Swan, A Man –  Alan Bullard/Edmund Blunden
The star –  Dylan Christopher/Jane & Ann Taylor
The sun goes down –  Francis Knights/AJ Blustin
The Genealogy of Christ –  Mark Bellis/Gospel of Luke
Oft when warring –  Stephen Watkins/Thomas Hardy
The Pale Enchanted Gold –  Tim Torry/JRR Tolkien
The sleep –  Ian Wilson/E B Browning

Clarinet/bass clarinet and piano

The Bold Princess Royal  – Colin Blundell
Three Blues – Alan Bullard
Whither Now? –  Laurence Glazier
Seeking stillness for solo bass clarinet – Philip Joy
A movement from the Scenes from a train suite – Jenni Pinnock
Dance –  Peter Thorne
Subsequent Darkness –  Julia Usher

The programme also includes three works from the 20th Century English Song repertoire:

It was a lover and his lass – Gerald Finzi
Silver – Armstrong Gibbs
A Sergeant’s Song – Gustav Holst

Recordings released for recorder quartet and harpsichord project

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Francis Knights and Dulcis Venti, Headgate Theatre, June 2016

 

We have just released recordings of some of the pieces from the recorder quartet with harpsichord call: visit this page to listen. Composers represented are Stephen Watkins, Ruth Gramann, Ron Hannah, Toby Roundell, Peter Thorne, Jong S. Kim, Olivia Kersey, Ivan Moody and Jenni Pinnock.

Piano Project 2015 recordings released: solo works

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Dylan Christopher’s studio recordings of all solo pieces from the 2015 Piano Project are now available via this link, including works by Abraham Espinosa, Elspeth MandersIan Mitchell, Emily DolittleChris LambHenry Law, Tim Torry, Jenni Pinnock, Doug Thomas, Peter Thorne, Gary Randall, Yvonne Eccles, Gareth Price and Lucy Wickers. We hope to add recordings of the duets later in the year.