Tag Archives: Dan Tidhar

New Structures in Composition concert, 16 Sept 2017

New Structures 160917 posterWe can now announce details of our next concert: New Structures in Composition, 5pm Saturday 16 September 2017 at Fitzwilliam College Chapel, Fitzwilliam College, Storeys Way, Cambridge CB3 0DG. Admission free.

With the decline in popularity of traditional compositional structures such as sonata form, it is interesting to explore fields beyond music for new structural paradigms. This academic year, CNM member Francis Knights has a visiting mathematician, Pablo Padilla (UNAM, Mexico), working on a joint project applying mathematical tools to musicological problems (http://formal-methods-in-musicology.webnode.com/). This has inspired a number of ideas for how various algorithms and numerical patterns taken from the natural world could be used in composition.

Performers include Francis Knights, Dan Tidhar (harpsichord, organ), Sarah Cattley, Pablo Padilla, Janet Wheeler (piano), Paula Muldoon (viola), Johanna Finnemann  (viola da gamba), Ellen Jameson (recorder) and Stephen Watkins (recorder and piano). The programme comprises works based upon the following algorithms and concepts:

Geometric methods: three dimensional music

Mark Bellis: Vulcan Chess; piano, harpsichord, organ, recorder, viola

Geometric methods: graphical scores

Colin Blundell: un aleatorio estudiado; harpsichord, viola, recorder

Combinatorial algorithms

Sarah Cattley: A Transformation of Littles; piano duet

Probabilistic ideas: Dice games

Dave Collins: Triple Roll; two keyboards

Iterated maps: self-similarity and fractals

Laurence Glazier: Prelude in C minor and Birthday Barcarolle; solo piano

Arithmetic procedures: Least common multiple and canonical forms

Ivan Moody: Passacaglia; solo harpsichord

The Syracuse conjecture

David and Pablo Padilla: Rondo 3n+1; traverse flute, viola da gamba, harpsichord

Recursivity

Peter Thorne: Whimsical Waltz; solo piano

Music and image

Julia Usher: Calculating differences: transformations at the edge: segmenting a leaf; viola, recorders

Symbols and codes

Ian Wilson: Be fruitful and multiply; piano, harpsichord, organ, recorder, viola, bongos

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CNM season 2017: recital in Colchester and workshop in Cambridge

We can now announce two exciting CNM public events which will be taking place in 2017:

Recital: The Pale Enchanted Gold

3pm, Saturday 17 June 2017, Castle Methodist Church, Maidenburgh Street, Colchester, Essex, CO1 1TT; tickets TBC

A summer afternoon recital by Tim Torry (baritone), Alan Bullard (piano) and Charles Hine (clarinet). The programme will include Tim Torry’s ‘The Pale Enchanted Gold’ – a setting of the first poem from JRR Tolkein’s The Hobbit, Alan Bullard’s dramatic setting of First World War poet Edmund Blunden’s ‘A Swan, A Man’ and ‘Three Blues’ for clarinet and piano, plus new songs and instrumental music by other members of CNM.

Workshop for contemporary harpsichord composition

4pm, Sunday 15 October 2017, Fitzwilliam College, Storey’s Way, Cambridge CB3 0DG; free entry for audience

Harpsichordists Francis Knights and Dan Tidhar will workshop new works for two harpsichords written by CNM members. The workshop will be preceded at 2pm by a rare concert of Contemporary American music for two harpsichords by Robert Baksa, Vittorio Rieti, Mark Janello and others.